Jawnomicon

Melusine

Also called Mélusine, Melusina.

In French and broader medieval European folklore, Melusine is a water spirit who is a woman above the waist and a serpent (or serpent-and-fish) below, bound to a marriage vow that forbids her husband from seeing her true form on a fixed day.

At a glance

Tradition
French folkloreEuropean folklore (general)
Region
France (place of origin)
Trait family
The Death-Criers
Symbols
DragonFish

Near this figure

Symbols

Judged against the description by a model. Meanings are our own paraphrase.

Traits

Read from the figure's description, which a model wrote. Open "why" for the sentence a trait came from.

Form

  • Shapeshifts human animal
    why

    She is typically described as a beautiful woman who is transformed, or reveals herself to be, a serpent or dragon from the waist down every Saturday

  • Hybrid of multiple animals
    why

    a woman above the waist and a serpent (or serpent-and-fish) below

  • Cursed into monstrous form
    why

    She is typically described as a beautiful woman who is transformed, or reveals herself to be, a serpent or dragon from the waist down every Saturday

  • Serpentine elongated body
    why

    In French and broader medieval European folklore, Melusine is a water spirit who is a woman above the waist and a serpent (or serpent-and-fish) below, bound to a marriage vow that forbids her husband from seeing her true form on a fixed day.

Behaviour

  • Bound to a specific family lineage
    why

    Melusine is a legendary figure of French and medieval European folklore, most famously associated with the House of Lusignan in the Poitou region of western France.

  • Exposure of secret nature breaks power
    why

    In some tellings Raymondin's public denunciation of her as a serpent, rather than the spying itself, is what finally exiles her; upon the vow's violation she transforms fully into a winged serpent and flies from the castle, though she is said to return invisibly to nurse her youngest children at night and to reappear, shrieking, over Lusignan to foretell the death of a lord of the line or an impending change in its fortunes.

Sight and sound

Omens

  • Mournful wail predicts death of kin
    why

    In some tellings Raymondin's public denunciation of her as a serpent, rather than the spying itself, is what finally exiles her; upon the vow's violation she transforms fully into a winged serpent and flies from the castle, though she is said to return invisibly to nurse her youngest children at night and to reappear, shrieking, over Lusignan to foretell the death of a lord of the line or an impending change in its fortunes.

Utility powers

  • Shapeshifting
    why

    She is typically described as a beautiful woman who is transformed, or reveals herself to be, a serpent or dragon from the waist down every Saturday, and in some tellings she additionally bears wings and a fish-like tail associated with her legendary role as ancestress of the Lusignan line.

  • Supernatural construction speed
    why

    In the core legend she meets Raymondin of Poitou at a forest spring and agrees to marry him only on the condition that he never seek to see her on a Saturday, and in exchange for his oath she uses her supernatural powers to raise the fortunes of his house, most notably by having the castle of Lusignan itself built for him in a single night through magical means.

  • Oracular foresight
    why

    Melusine's principal power is her association with prophecy and supernatural building; beyond raising the castle of Lusignan overnight, she is credited in some tellings with founding or fortifying other strongholds attributed to her across the Poitou region.

Curses

  • Death omen
    why

    In some tellings Raymondin's public denunciation of her as a serpent, rather than the spying itself, is what finally exiles her; upon the vow's violation she transforms fully into a winged serpent and flies from the castle, though she is said to return invisibly to nurse her youngest children at night and to reappear, shrieking, over Lusignan to foretell the death of a lord of the line or an impending change in its fortunes.

Roles

Judged from the works' own entries, not from the description. Carries: the figure holds the role. Meets: the role is in its stories, held by something it meets.