Jawnomicon

Hair

Hair denotes vitality and the state of the head it grows from, ordered or wild, shorn in renunciation, and red for ardour and suspicion alike.

Our paraphrase of what the sources say it carries.

At a glance

Type
Image
Group
Human World / Human Body
Borne by
41 figures
Traditions
Japanese folklore (5)Slavic folklore (4)Greek mythology (3)Irish folklore (3) and 21 more
Borne with
woman (13 figures)Claw/ Nail (3 figures)Cloak (3 figures)Hand (3 figures)Iron (3 figures) and 11 more
Same group
BoneBreastClaw/ NailFootHand and 6 more

Figures that bear it

A model judged each figure against its own description, one term at a time. Is: the figure is, or is partly, this thing. Bears: it carries the thing or is marked by it. What a figure does is filed under motifs and powers. Open "why" for the sentence the judgement rests on.

and 29 more
  • Enkidu bears Mesopotamian mythology
    why

    He begins life outside human society entirely: covered in hair, running with the gazelles, eating grass, and freeing animals from hunters' traps, a wild man in the fullest sense rather than a beast or a monster.

  • Fachan bears Irish folklore
    why

    The fachan of Irish and Scottish Highland tradition is built on the arithmetic of one: one hand protruding from the ridge of its chest, one leg from its haunch, one eye in the front of its face, and one tuft of hair on its head — of which the Gaelic teller says it were easier to pull a mountain up by the root than to bend that tuft.

  • Fenodyree bears Manx folklore
    why

    The Fenodyree — also spelled Fenoderee — is a solitary household or farm spirit of Manx tradition, described as a huge man covered in shaggy black hair, with eyes that show through the fur, and possessed of far more than human strength.

  • Furies bears Greek mythology
    why

    Descriptions of their appearance vary, with some sources giving them serpent hair, foul odor, and bat-like wings, or the heads of dogs, emphasizing their role as something between hunting hounds and hags, relentless once set upon a guilty target.

  • Gorgon bears Greek mythology
    why

    In Greek mythology, Gorgons are women with snakes for hair.

  • Gwrach y Rhibyn bears Welsh folklore
    why

    Descriptions of her appearance vary somewhat between collections but converge on a consistent picture of hideousness: long, dishevelled, sometimes red or black hair, sunken and piercing eyes, a hooked or overlarge nose, blackened fang-like teeth, a crooked back, and disproportionately long, withered arms.

  • Iara bears Brazilian folklore
    why

    Iara is a water spirit of Brazilian folklore, most often placed in the rivers of the Amazon basin, where she is said to appear near dusk combing her long hair on a rock or gliding just beneath the surface.

  • Kakamora bears Solomon Islands folklore
    why

    Kakamora are small, hair-covered forest beings of Solomon Islands folklore, particularly attested around Makira, described as short in stature but possessed of strength far out of proportion to their size.

  • Kijo bears Japanese folklore
    why

    Their appearance is terrifying, typically featuring wild, unkempt hair, sharp claws, and eyes that burn with an otherworldly fury.

  • Kikimora bears Slavic folklore
    why

    She is typically pictured as a small, disheveled old woman with a hunched back and unkempt hair, sometimes with chicken legs or other bird-like features, and in her swamp-dwelling form she is described as living among reeds and marsh grass, luring or misleading travelers.

  • Lamiak bears Basque folklore
    why

    Lamiak are typically associated with freshwater environments, making their homes near rivers, streams, and waterfalls, where they are said to comb their long, golden hair with golden combs.

  • Leshy bears Slavic folklore
    why

    The Leshy's hair and beard are composed of living vines and leaves, constantly shifting and changing with the seasons.

  • Mami Wata bears African folklore (general)
    why

    She is most commonly pictured as a mermaid, with a woman's upper body and a fish's tail, or in some tellings as a snake-charmer, often shown holding or entwined with large serpents; her long, flowing hair and light or fair complexion are recurrent details in visual depictions, particularly in the widely circulated chromolithograph imagery that spread across West Africa from the late 19th and early 20th centuries onward.

  • Medusa bears Greek mythology
    why

    In Greek and Roman mythology, Medusa is the mortal Gorgon whose serpent hair and petrifying gaze made her the most famous monster of the Perseus myth.

  • Mothman bears American folklore
    why

    Its body is typically described as muscular and covered in dark, fuzzy hair or feathers, reminiscent of a moth's body.

  • Nakinneito bears Finnish folklore
    why

    Her most particular recorded trait is an endowment the tellers evidently enjoyed — breasts so voluptuous she can throw them over her shoulder — and she is most often seen out on the water, combing her long curly hair.

  • Oni bears Japanese folklore
    why

    Oni are demons or ogres in Japanese folklore, often depicted as large, fearsome creatures with wild hair and horns.

  • Pontianak bears Malay folklore
    why

    She is defined by her long black hair, white funeral shroud, and the cry of an infant that signals her approach.

  • Qalupalik bears Inuit mythology
    why

    She is most often described as a green- or grey-skinned, amphibious humanoid with long hair, sharp fingernails, and a distinctly human-like face, cold and slick to the touch, at home equally in the sea and on the rocky shore.

  • Redcap bears English folklore
    why

    Accounts describe it as a squat, wizened old man with long, wiry hair, taloned hands tipped with claws, teeth like fangs, and eyes that burn with a fierce red light; it is said to wear iron boots and carry a pikestaff or similar weapon, and in some tellings it possesses unnatural strength despite its small stature.

  • Rusalka bears Slavic folklore
    why

    She is typically depicted as a beautiful young woman with pale skin and long, flowing green or fair hair that remains perpetually wet, sometimes shown with a fish-like lower body in later Romantic-era art though earlier folk accounts more often describe her as human in form, unclothed, and haunting the banks and depths of her waters.

  • Sedna bears Inuit mythology
    why

    Sedna is most often described as a woman transformed into a being of the deep, her lower body merging into that of a great fish or sea mammal, and her long hair, which she cannot comb herself, drifting loose in the currents around her.

  • Tsuchigumo bears Japanese folklore
    why

    Its body, covered in coarse hair and adorned with intricate patterns, can grow to enormous proportions, sometimes rivaling the size of a small house.

  • Tupan bears Guarani mythology
    why

    Tupan is the old thunder power of the eastern Tupi-Guarani peoples of Brazil — the Tupinamba among them — and the descriptions give him an actual body rather than a principle: short-statured, man-shaped, the hair in waves.

  • Urisk bears Scottish folklore
    why

    The urisk of the Scottish Highlands is a solitary fairy shaped half like a man and half like a goat, with flowing yellow hair and — in the fond particularity of the tradition — a broad blue bonnet.

  • Vila bears Slavic folklore
    why

    She is typically described as a beautiful young woman with long, flowing hair, often blonde or wearing a white gown, who dwells in forests, mountains, clouds, or near lakes, springs, and rivers.

  • Xtabay bears Mayan mythology
    why

    In Yucatec Maya folklore, Xtabay is a seductive demon spirit who appears as a beautiful woman combing her long hair beneath a ceiba tree at night, luring men to their death.

  • Yowie bears Australian Aboriginal folklore
    why

    Its body is typically covered in thick, coarse hair, ranging from dark brown to reddish hues, providing excellent camouflage in its natural habitat.

  • Yuki-onna bears Japanese folklore
    why

    Yuki-onna is typically described as a tall, strikingly beautiful woman with long black hair and skin so pale it is nearly translucent or the color of snow itself, sometimes said to be effectively invisible against a snowy landscape except for her dark hair and eyes.